The primary act of drawing on paper energizes this current series. The provided structure is an armature that can be transformed into an edge, shape or remain an enhanced linear element.
Dense color blocks are interlocked with transparent amorphous cascading shapes all generated by the initial fugitive vine charcoal marks. The dominance of the line recedes as it is merged with the paint and amplifies the edges of the pictorial elements.
Similar to the PURE PAINTINGS, the painting alone is the subject/object. However, unintended visual elements have emerged, often upon rotation, producing partially recognizable features or objects to some.
These works are thinned oil paint on Arches Oil Prepared paper mounted on cradled panels. The sizes are mostly 12”x16” and 9”x12”.